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by Ancient Greek (Unknown), -600
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Ancient Greek Known as the Monteleone Chariot, this is the best-preserved Etruscan chariot from ancient Italy before the Roman period. Three bronze relief panels depict scenes from the life of Achilles: the center shows him receiving armor from his mother Thetis, the left shows him fighting Memnon, king of the Ethiopians, and the right shows him ascending on a chariot drawn by winged horses.
It was discovered accidentally in 1902 when a landowner in Monteleone di Spoleto was working his property and uncovered a subterranean tomb covered by a mound. The chariot held two people and was drawn by two horses roughly the size of modern ponies. Ivory inlays made it unusually luxurious, likely built for an important figure from southern Etruria.
The Met purchased it in 1903 through General Luigi Palma di Cesnola, the museum's first director. It's in Gallery 170 at the Metropolitan Museum of Art. Total height is 51 9/16 inches with a pole length of 82 1/4 inches.

Ancient Greek (Unknown), -500
The Metropolitan Museum of Art, New York

Ancient Greek (Unknown), -390
The Metropolitan Museum of Art, New York

Ancient Greek (Unknown), -330
Art Institute of Chicago, Chicago

Ancient Greek (Unknown), -590
The Metropolitan Museum of Art, New York

David Roentgen, 1776
The Metropolitan Museum of Art, New York

Ancient Greek (Unknown), -500
The Metropolitan Museum of Art, New York

Ancient Greek (Unknown), -390
The Metropolitan Museum of Art, New York

Diego Velázquez
The Metropolitan Museum of Art, New York
Works that share an artist, movement, museum, genre, palette or theme with Bronze chariot inlaid with ivory.

Ancient Greek (Unknown), -750

Ancient Greek (Unknown), -300

Ancient Greek (Unknown), -800
Claude Monet, 1899

Claude Monet, 1869

Gustav Klimt, 1907

Paul Cézanne, 1898

Paul Cézanne, 1904

Bronzino (Agnolo di Cosimo di Mariano), 1530

Amedeo Modigliani, 1917

Hans Baldung (called Hans Baldung Grien), 1506

Pieter Bruegel the Elder, 1565
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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