
Balthasar Permoser, CC0 1.0, via Wikimedia Commons.
by Balthasar Permoser, 1680
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Balthasar Permoser carved this marble around 1680-1685, early in his career while working in Italy. It depicts the satyr Marsyas screaming in agony as he is flayed alive for losing a musical contest to the god Apollo. Every detail conveys torment: squinting eyes, torn tongue, and flame-like hair standing on end.
Permoser was deeply influenced by Bernini, particularly his 1619 sculpture "Damned Soul." The deliberately rough, flame-like hair contrasts sharply with the precise anatomical carving of the face and body. The unfinished back and a bracket emplacement suggest it was designed for a wall niche, probably in a palace courtyard.
Made of marble with a black marble socle, it measures 27 x 17 3/8 x 11 1/8 inches. It's in the Carroll and Milton Petrie European Sculpture Court at the Metropolitan Museum of Art, acquired in 2002.
Works that share an artist, movement, museum, genre, palette or theme with Marsyas.

Gian Lorenzo Bernini, 1616

Ancient Roman (Unknown), 260

Master of the Martyrdom of St. Sebastian, 1650

Ancient Greek (Unknown), -300

Ancient Greek (Unknown), -400

Ancient Roman (Unknown), 250

Ancient Roman (Unknown), 150

Ancient Greek (Unknown), -350
Claude Monet, 1899

Claude Monet, 1869

Gustav Klimt, 1907

Paul Cézanne, 1898
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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