
by Unknown Artist, 1695
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This pair of wooden masks dates to around 1695, making them rare survivors from a period when very few African wood sculptures have endured. Wood deteriorates in tropical climates, and carbon-14 dating has confirmed only a handful of African wooden sculptures from before the 18th century. These masks retain traces of gesso, a white paint mixture applied to create a smooth base for further decoration or to achieve the white surface important in certain ceremonial contexts.
Masks played central roles across West and Central African cultures during this period. They appeared in court rituals, initiation ceremonies marking the transition from boyhood to adulthood, funerals, ancestor veneration, and masquerade performances that maintained social and spiritual order. The pairing of two masks suggests they may have been used together in a ceremony or represent complementary spiritual forces. They're now part of the collection at the Art Institute of Chicago.
Works that share an artist, movement, museum, genre, palette or theme with Pair of Masks.

Yoruba, 1850

School of T. Parker, 1805

Italian, 1700

Abogunde of Ede, 1875

Edo, 1650

Lobi, 1801

1625

Grant Wood, 1930

Pierre-Auguste Renoir, 1881

Mary Cassatt, 1893

Georges Seurat, 1886

Edward Hopper, 1942
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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