
Wikimedia Commons - CC BY-SA 4.0
by Alberto Giacometti, 1947
Christie's / New York
May 11, 2015
Private Collection
Private Collector
That's 2 superyachts
Alberto Giacometti produced this L'Homme au doigt (Pointing Man) in 1947, working through the night to finish it for his first solo exhibition after World War II. The nearly six-foot bronze figure stands with elongated limbs and an extended index finger, its attenuated form stripped to essential gesture. Giacometti created six casts plus one artist's proof.
After experiencing the trauma of wartime Paris, Giacometti obsessively reworked his sculptures, making figures progressively thinner until they resembled shadows striding through space. The elongated forms reflect existential themes of isolation and human vulnerability that preoccupied postwar artists. His figures appear frozen mid-step, caught between action and stillness.
The cast sold at Christie's in May 2015 was unique among the six: Giacometti had hand-painted it himself to heighten its expressive impact. Collector Sheldon Solow owned it for 45 years before it sold for $141.3 million, becoming the most expensive sculpture ever auctioned. Hedge fund manager Steven A. Cohen acquired it. Other casts reside at MoMA, the Tate, and the Fondation Giacometti.
1901–1966
Swiss
1-click academic citation and embeddable “On View” museum badge for articles, syllabi, and research.
Permanently housed
1-click academic citation and embeddable “On View” museum badge for articles, syllabi, and research.
Works that share an artist, movement, museum, genre, palette or theme with L'Homme au doigt (Pointing Man).

Amedeo Modigliani, 1917

Leonardo da Vinci, 1500

Pablo Picasso, 1905

Amedeo Modigliani

Amedeo Modigliani

Pablo Picasso, 1905

Claude Monet, 1919

Claude Monet, 1890

Rembrandt van Rijn, 1634

Lawrence Alma-Tadema, 1888

Jan van Goyen, 1644

Gustav Klimt, 1907
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
Browse Collection