
by Raphael, 1511
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Raphael Rooms
Vatican Museums, Vatican City
Part of the permanent collection
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Raphael painted The School of Athens around 1511 for the private library of Pope Julius II, creating an idealized gathering of history's greatest philosophers and scientists. At the center, Plato points upward toward the world of ideas while Aristotle gestures toward the earth of empirical observation. Around them, Pythagoras, Euclid, Ptolemy, and dozens of other thinkers engage in discussion beneath magnificent Renaissance architecture.
Raphael included contemporary portraits among the ancient philosophers. Plato's features are modeled on Leonardo da Vinci. The brooding figure of Heraclitus in the foreground, added later, bears the face of Michelangelo, then working on the Sistine ceiling nearby. Raphael painted himself at the far right edge, looking out at the viewer.
The painting exemplifies the High Renaissance ideal of harmonious composition. Every figure finds its place within the balanced whole, the architecture creates convincing depth, and the gathering of pagan philosophers in a papal room celebrates the compatibility of classical wisdom and Christian faith. It remains in its original location at the Vatican Museums.
Considered Raphael's masterpiece and one of the most significant works of the High Renaissance.
Works that share an artist, movement, museum, genre, palette or theme with The School of Athens.

Raphael, 1510

Raphael, 1520

Michelangelo, 1512

Raphael, 1512

Leonardo da Vinci, 1503

Titian, 1538

Michelangelo, 1512

Michelangelo, 1509

Sandro Botticelli, 1485

Leonardo da Vinci, 1478

Leonardo da Vinci, 1498

Sandro Botticelli, 1482
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