
Constant Permeke (1886–1952) was the leading figure of Flemish Expressionism. Born in Antwerp to Henri Permeke, a landscape painter and museum curator, he grew up in Ostend from age six. He studied at the Bruges Academy (1903–1906) and the Ghent Academy (1906–1908), where he met Frits Van den Berghe and the De Smet brothers, lifelong artistic companions.
When World War I broke out, Permeke was wounded defending Antwerp. Evacuated to England, he convalesced in Folkestone and then moved to Devonshire, where the colorful English landscape brightened his palette. After the war, he returned to Ostend in 1919. The harsh reality of fishermen's lives turned his work somber again: monumental figures in browns and blacks, vigorously distorted forms capturing the brutal dignity of labor.
In 1929, Permeke moved to Jabbeke, building a home called "De Vier Winden" (The Four Winds), now a museum. He shifted from fishermen to farmers, painting peasant life with the same powerful intensity. During World War II, the German occupiers banned him from painting, classifying his art as "Entartete Kunst" (Degenerate Art). His son was arrested and sent to Germany as forced labor. After the war, Permeke briefly directed the Royal Academy in Antwerp but resigned after one year. He also took up sculpture, creating monumental figures like De Zaaier (The Sower). His wife's death in 1948 devastated him. He died in 1952 and was buried beside her. Belgium honored him by putting his portrait on the 1,000 franc note in 1997. His work is at the Permekemuseum in Jabbeke and the Royal Museums of Fine Arts in Brussels.
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