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French artist Camille Corot painted this Italian landscape during his first stay in Italy between 1826 and 1827. He visited Civita Castellana, north of Rome, several times during this period, painting Mont Soracte from different viewpoints and under various weather conditions. The isolated limestone mountain rises dramatically from the Italian plain, its distinctive profile visible for miles.
This small oil study on paper captures the mountain in the distance beyond a forest and fortress. Corot positioned himself on a rocky elevation to take in the sweeping view. During 1826-27, he painted hundreds of drawings and oil studies throughout the Roman countryside, developing the plein-air technique that would influence later Impressionists.
Corot completed the landscape outdoors, working directly from nature rather than composing in a studio. His first Salon entry, "The Bridge at Narni," from this same Italian trip showcased his open-air method. This study remains in a private collection. A related version is held by the Musée d'art et d'histoire in Geneva.
Works that share an artist, movement, museum, genre, palette or theme with Mont Soracte.

Camille Corot

Camille Corot

Camille Corot

Claude Monet, 1890

Jan van Goyen, 1644

Claude Monet, 1919

Leonardo da Vinci, 1500

Pablo Picasso, 1905

Pablo Picasso, 1905

Amedeo Modigliani, 1917

Rembrandt van Rijn, 1634

Lawrence Alma-Tadema, 1888
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