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by Edgar Degas
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Edgar Degas painted the racing scenes at both French and English tracks. Epsom Downs in England hosted one of the world's most famous horse races, the Derby, attracting crowds and artists alike. Degas captured the atmosphere of the racing world without always specifying exact locations. His interest lay in movement, color, and the relationship between rider and horse.
The artist stepped up his production of racing subjects in the 1880s. He worked from direct observation, photographs, and his own imagination, combining these sources freely. A single composition might include horses studied at Longchamp, poses borrowed from Renaissance masters, and backgrounds invented in the studio. This approach gave his work both authenticity and artistic freedom.
Degas explored similar subjects in sculpture, modeling horses in wax to study their movement in three dimensions. These experiments informed his paintings. The Art Institute of Chicago displays this work alongside other Impressionist paintings in their collection.

Lorado Taft, 1901
Art Institute of Chicago, Chicago

, 201
Art Institute of Chicago, Chicago

Ancient Egyptian (Unknown), 401
Art Institute of Chicago, Chicago

Jean-Baptiste Carpeaux, 1865
Art Institute of Chicago, Chicago
Works that share an artist, movement, museum, genre, palette or theme with Jockeys at Epsom.

Edgar Degas

Edgar Degas

Edgar Degas

Mary Cassatt, 1893

Pierre-Auguste Renoir, 1881

Claude Monet, 1891

Gustave Caillebotte, 1877

Berthe Morisot, 1870

Édouard Manet, 1863

Édouard Manet, 1866

Édouard Manet, 1882

Pierre-Auguste Renoir, 1876
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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