
Wikimedia Commons • Public Domain
This painting by Ford Madox Brown powerful image of emigrants leaving Britain in 1855. A young couple huddles together on a ship's deck, the white cliffs of Dover fading behind them. Their expressions convey the mixture of determination and sorrow faced by those leaving home forever.
Brown used himself and his wife as models, adding autobiographical intensity to the scene. The circular composition and fine detail show Pre-Raphaelite influence. Displayed at Birmingham Museum and Art Gallery.

Edward Burne-Jones
Birmingham Museum and Art Gallery, Birmingham, Birmingham

John Everett Millais
Birmingham Museum and Art Gallery, Birmingham, Birmingham

William Holman Hunt
Birmingham Museum and Art Gallery, Birmingham, Birmingham

John Everett Millais
Birmingham Museum and Art Gallery, Birmingham, Birmingham
Other masterpieces from the Pre-Raphaelite Brotherhood movement

Dante Gabriel Rossetti, 1870
Tate Britain, London

John William Waterhouse, 1891
Tate Britain, London
John Everett Millais, 1852
Tate Britain, London

Edward Burne-Jones, 1880
Tate Britain, London

Dante Gabriel Rossetti, 1874
Tate Britain, London

William Holman Hunt, 1854
Keble College Chapel, Oxford

John Everett Millais, 1850
Tate Britain, London
John William Waterhouse, 1888
Tate Britain, London
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
Browse Collection