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Francisco de Zurbaran composed this vision scene in 1629 for the Convent of Mercy in Seville, which St. Peter Nolasco had founded. The composition shows the apostle Peter appearing crucified upside-down to his namesake, the 13th-century Spanish saint who established the Order of Mercy to ransom Christian slaves.
According to legend, Peter Nolasco longed to visit the apostle's tomb in Rome but couldn't leave Spain. St. Peter appeared to him in dreams three nights running, finally descending crucified to console him. The saint falls to his knees before this impossible vision. Zurbaran's stark lighting and minimal background create an atmosphere of suspended reality.
The canvas measures 179 by 223 centimeters and now hangs at the Museo del Prado in Madrid. In 1808, Manuel Lopez Cepero, dean of Seville Cathedral, purchased it. He gave it to King Ferdinand VII in 1821, and it entered the royal collections. The extraordinary Baroque realism shows Zurbaran at the height of his powers.
Works that share an artist, movement, museum, genre, palette or theme with Appearance of St. Peter to St. Peter Nolasco.

Francisco de Zurbarán

Francisco de Zurbarán, 1628

Francisco de Zurbarán

Diego Velázquez, 1632

Diego Velázquez

Diego Velázquez

Lucas Cranach the Elder, 1526

Edvard Munch, 1894

Leonardo da Vinci, 1500

Raphael, 1512

Sandro Botticelli, 1476

Raphael, 1510
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