Orpheus and Eurydice

Frederic Leighton executed this Orpheus and Eurydice in 1864, offering an unconventional interpretation of the Greek myth. The painting shows the moment when Orpheus has turned to look at Eurydice during their escape from the underworld, condemning her to remain among the dead. What seems like disdain on his face is really his repulsion at his own actions, the realization of what he has done.

Eurydice, rather than showing despair, appears to comfort the distraught Orpheus. She has accepted her fate and wants him to know she willingly returns to the underworld. This interpretation confused Victorian audiences, who expected more conventional dramatic expression. The painting was the least popular of eight works Leighton showed at the Royal Academy's 1864 exhibition.

Critics praised Leighton's technical skill but questioned his dramatic interpretation. Over time, the painting has come to be regarded as one of his major works. It measures 168.3 x 151 cm and was purchased by the Leighton House Museum in 1960. The museum, dedicated to Leighton's life and work, provides the ideal setting for this exploration of mythological tragedy.