
by Alexandre Cabanel, 1863
Alexandre Cabanel created a sensation at the Paris Salon of 1863 with this reclining Venus floating on the sea. Cherubs fly above her while she stretches languidly, eyes half-closed, one arm raised above her head. The composition offers the sensuality of a nude with the excuse of mythological subject matter.
Napoleon III himself purchased the painting immediately after the Salon. The year 1863 was dubbed the "Salon of the Venuses" for the number of alluring nudes on display, and Cabanel's won the emperor's favor over works by competitors. The same Salon rejected Manet's controversial Déjeuner sur l'herbe.
Writer Émile Zola criticized the painting's ambiguity: "The goddess, drowned in a sea of milk, resembles a delicious courtesan." But the public loved it. Cabanel made multiple versions, and the original remains at the Musée d'Orsay, a landmark of French Academic painting.
Other masterpieces from the Academic Art movement

Rosa Bonheur, 1853
The Metropolitan Museum of Art, New York

Jean-Léon Gérôme, 1866
Clark Art Institute, Williamstown

Lawrence Alma-Tadema, 1909
Tate Britain, London

Lawrence Alma-Tadema, 1888
Private Collection, Unknown

William-Adolphe Bouguereau, 1873
Clark Art Institute, Williamstown

William-Adolphe Bouguereau, 1879
Musée d'Orsay, Paris

Frederic Leighton, 1895
Tate Britain, London

Jean-Léon Gérôme, 1872
Phoenix Art Museum, Phoenix
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