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George Bellows completed this brutal boxing scene showing two fighters locked in combat. The violent struggle takes place before a crowd of spectators pressed against the ring. Bellows captured the raw energy of illegal prize fights in early 20th-century New York.
The painting's title refers to the private club loophole that allowed banned boxing matches. Bellows brought Ashcan School realism to American art. The work hangs at the National Gallery of Art in Washington, DC.
![Gian Federico Madruzzo Oil Canvas Giovanni Battista[1] by Giovanni Battista Moroni](/apps/masterpieces/_next/image?url=https%3A%2F%2Fyfndmpigludzuzjjdfce.supabase.co%2Fstorage%2Fv1%2Fobject%2Fpublic%2Fartwork-images%2Fartwork-wiki%2Fgiovanni-battista-moroni-gian-federico-madruzzo-oil-canvas-giovanni-battist.jpg&w=3840&q=75)
Giovanni Battista Moroni
National Gallery of Art, Washington, D.C.

Edgar Degas
National Gallery of Art, Washington, D.C.

Bronzino
National Gallery of Art, Washington, D.C.

Berthe Morisot
National Gallery of Art, Washington, D.C.
Works that share an artist, movement, museum, genre, palette or theme with Both Members of This Club.

George Bellows

George Bellows, 1909

George Bellows, 1924

Winslow Homer, 1876

Winslow Homer, 1876

Winslow Homer, 1909

Edward Hopper, 1942

John Singer Sargent, 1884

John Singer Sargent

Grant Wood, 1930

John Singer Sargent, 1884

Eastman Johnson
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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