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Georges Seurat rendered this study after Ingres in 1878 while a student at the École des Beaux-Arts. The work is a selective reduction of Ingres' "Roger Freeing Angelica," focusing only on the chained princess and omitting the heroic knight and sea monster. It's one of thirteen copies Seurat made after works by the French master draftsman.
Ingres' original depicted a scene from Ariosto's Orlando Furioso where Roger rescues Angelica from a sea monster. By isolating Angelica, Seurat created a different emotional tone, emphasizing her vulnerability rather than her rescue. The oil on canvas measures 83 by 66.3 centimeters.
It hangs at the Norton Simon Museum in Pasadena, California. Norton Simon acquired it in 1982 from the collection that descended through the artist's family. This early Neoclassical work predates the Pointillist technique that would make Seurat famous.

Jean-Honoré Fragonard
Norton Simon Museum, Pasadena, CA, Pasadena

Guido Reni
Norton Simon Museum, Pasadena, CA, Pasadena

Jean-Baptiste-Siméon Chardin
Norton Simon Museum, Pasadena, CA, Pasadena

William-Adolphe Bouguereau
Norton Simon Museum, Pasadena, CA, Pasadena
Works that share an artist, movement, museum, genre, palette or theme with Angelica at the rock (After ingres).
Georges Seurat

Georges Seurat

Georges Seurat

Paul Cézanne, 1887

Paul Gauguin, 1892

Paul Cézanne, 1904

Paul Signac, 1901

Vincent van Gogh, 1890

Vincent van Gogh, 1889

Henri de Toulouse-Lautrec, 1893

Henri de Toulouse-Lautrec, 1891

Vincent van Gogh, 1890
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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