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See the original at Carnegie Museum of Art in Pittsburgh
by Winslow Homer, 1896
Winslow Homer painted The Wreck in 1896 from his studio at Prouts Neck, Maine, where he spent his final decades observing the Atlantic coast. Rescue workers haul a survivor from the surf on a breeches buoy line, their figures braced against wind and spray. The sea dominates: dark, churning, indifferent.
Homer witnessed real shipwrecks along the Maine coast and knew the U.S. Life-Saving Service crews who responded to them. His late seascapes strip away narrative detail to focus on the raw confrontation between humans and the ocean. The palette is muted: grays, greens, and the cold white of breaking waves.
The painting hangs at the Carnegie Museum of Art in Pittsburgh. Homer's late marine paintings, produced in near-solitude at Prouts Neck, are widely considered his greatest work and among the finest American paintings of the 19th century.
Other masterpieces from the American Realism movement

Grant Wood, 1930
Art Institute of Chicago, Chicago

Edward Hopper, 1942
Art Institute of Chicago, Chicago

John Singer Sargent, 1886
Tate Britain, London

Georgia O'Keeffe, 1930
National Gallery of Art, Washington, D.C.

John Singer Sargent, 1884
The Metropolitan Museum of Art, New York

Eastman Johnson, 1862
Brooklyn Museum, New York

John Singer Sargent, 1882
Museum of Fine Arts, Boston, Boston

George Bellows, 1924
Whitney Museum of American Art, New York
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