
by Unknown Artist, 1325
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This carved ivory plaque from around 1325-1350 once protected a small hand mirror. Made in Paris by specialized craftsmen called pigniers, it depicts a falconry scene with a lady and gentleman hunting with birds of prey, accompanied by attendants. In medieval France, falconry served double duty: it was an aristocratic sport and a common metaphor for courtly love. The hunter pursuing prey mirrored the lover pursuing the beloved.
When paired with its matching half, a bayonet mount carved into the interior created a tight grip to protect the delicate mirror inside, which was made of silvered or mercury-lined glass. These luxury objects were marketed to the aristocracy and often given as courtship gifts or wedding presents. The ivory's smooth texture and ability to hold fine detail made it the ideal medium. This case is at the Art Institute of Chicago, acquired through the Kate S. Buckingham Endowment.

Lorado Taft, 1901
Art Institute of Chicago, Chicago

, 201
Art Institute of Chicago, Chicago

Ancient Egyptian (Unknown), 401
Art Institute of Chicago, Chicago

Jean-Baptiste Carpeaux, 1865
Art Institute of Chicago, Chicago
Works that share an artist, movement, museum, genre, palette or theme with Mirror Case with Falconry Scene.

1625

Flemish, 1615

1601

French, 1375

French, 1340

German, 1350

1370

1200

1480

Master of Kremsmünster, 1375

1100

Venetian, 1500
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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