
Wikimedia Commons • Public Domain
Nicolas Poussin completed this Apollo and Daphne around 1625-1627, depicting the moment from Ovid's Metamorphoses when the nymph transforms into a laurel tree to escape the god's pursuit. Apollo reaches toward Daphne as bark begins to cover her skin and branches sprout from her fingers.
Cupid hovers above, responsible for the chase: he shot Apollo with a golden arrow of love and Daphne with a lead arrow of aversion. Onlookers react with varying degrees of concern. Poussin's use of dramatic light and earth tones gives the mythological scene a theatrical quality.
The canvas measures 97 by 131 centimeters and hangs at the Alte Pinakothek in Munich. Poussin was living in Rome when he painted this, immersed in studying classical art and literature. His intellectual approach to painting made him a favorite of French collectors and eventually the court of Louis XIV.
Other masterpieces from the Baroque movement

Frans Hals, 1624
Wallace Collection, London
Johannes Vermeer, 1666
National Gallery of Art, Washington, D.C.

Johannes Vermeer, 1665
Mauritshuis, The Hague

El Greco, 1614
National Gallery of Art, Washington, D.C.

Johannes Vermeer, 1670
Louvre, Paris, Paris

Johannes Vermeer, 1664
National Gallery of Art, Washington, D.C.

Johannes Vermeer, 1663
Rijksmuseum, Amsterdam

Diego Velázquez, 1650
National Gallery, London
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
Browse Collection