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by Parmigianino
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Parmigianino executed this graceful composition around 1529, creating one of the finest examples of Mannerism. The elongated figures and serpentine poses that define his style are fully evident here. Saint Catherine receives the ring from Christ while the Virgin Mary looks on, the figures arranged in an elegant, swirling composition.
Giorgio Vasari mentioned this painting, noting it was made for a saddler friend during Parmigianino's time in Bologna. The artist had fled there after the Sack of Rome in 1527 devastated that city. His confident brushwork, broader and quicker than High Renaissance tastes would allow, demonstrates his mature style at its most harmonious.
The painting exemplifies Parmigianino's "artistic daring," as he confronted the naturalistic orthodoxies established by Leonardo, Michelangelo, and Raphael. The rhythmic sensuality of his figures expressed the spiritual uncertainty of this turbulent period. The work hangs at the Louvre in Paris.

Parmigianino
Kunsthistorisches Museum, Vienna

Parmigianino
Private Collection, Unknown

Parmigianino
Städel, Frankfurt am Main, Frankfurt

Parmigianino
Uffizi Gallery, Florence, Florence

Ancient Roman (Unknown), -100
Louvre, Paris, Paris

Gerard ter Borch
Louvre, Paris, Paris

Jacques-Louis David
Louvre, Paris, Paris

Bernardino Luini
Louvre, Paris, Paris
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