by Rembrandt van Rijn, 1653
The Three Crosses is Rembrandt's most ambitious printmaking achievement, depicting the Crucifixion at the moment of Christ's death. Created in 1653, the drypoint and burin print shows divine light streaming down onto Christ while surrounding figures react with awe and despair. Rembrandt reworked the plate multiple times, creating dramatically different versions.
The first states show a balanced composition with clear figures. In the fourth state, Rembrandt transformed the plate by adding dense darkness, obscuring many figures and creating an apocalyptic atmosphere. This radical revision demonstrates his willingness to destroy successful work in pursuit of greater emotional impact. The print's multiple states document his evolving vision over several years.
Impressions exist in many museums, including the Metropolitan Museum of Art.

Ancient Greek (Unknown), -500
The Metropolitan Museum of Art, New York

Ancient Greek (Unknown), -390
The Metropolitan Museum of Art, New York

Diego Velázquez
The Metropolitan Museum of Art, New York

Ancient Egyptian (Unknown), -1070
The Metropolitan Museum of Art, New York
Other masterpieces from the Baroque movement

Frans Hals, 1624
Wallace Collection, London
Johannes Vermeer, 1666
National Gallery of Art, Washington, D.C.

Johannes Vermeer, 1665
Mauritshuis, The Hague

El Greco, 1614
National Gallery of Art, Washington, D.C.

Johannes Vermeer, 1670
Louvre, Paris, Paris

Johannes Vermeer, 1664
National Gallery of Art, Washington, D.C.

Johannes Vermeer, 1663
Rijksmuseum, Amsterdam

Diego Velázquez, 1650
National Gallery, London
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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