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Annibale Carracci completed this dramatic Baroque scene around 1597-98, depicting the moment Mary Magdalene and two other women discover Christ's empty tomb. An angel sits on the stone sarcophagus, explaining the resurrection to the astonished figures. The composition brilliantly synthesizes classical sculpture, Raphael's Vatican tapestries, and the dramatic lighting that defined Roman Baroque painting.
The work was commissioned by Lelio Pasqualini, a Roman canon at Santa Maria Maggiore who maintained one of the era's notable antiquarian collections. Scholars believe the painting's unusual composition reflects Pasqualini's classical interests. The canvas measures 121 by 145.5 centimeters.
After passing through the W. Coesvelt collection in London, the painting entered the State Hermitage Museum in Saint Petersburg in 1836. It remains one of the finest examples of Carracci's religious work, showing his masterful blending of Renaissance traditions with Baroque emotion.

Annibale Carracci
Musée des Beaux-Arts d'Orléans, Orleans, Orléans

Annibale Carracci
Uffizi Gallery, Florence, Florence

Annibale Carracci
Uffizi Gallery, Florence, Florence

Annibale Carracci
Louvre, Paris, Paris

Claude Monet
State Hermitage Museum, St. Petersburg

Leonardo da Vinci
State Hermitage Museum, St. Petersburg

Rembrandt van Rijn
State Hermitage Museum, St. Petersburg

Tintoretto
State Hermitage Museum, St. Petersburg
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Rembrandt van Rijn

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Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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