Where is this painting?

It's at the Royal Museums of Fine Arts of Belgium in Brussels.

Where Is Christ's Entry into Brussels in 1889?

Q: Why are there masks in this painting?

Ensor used carnival masks to satirize Belgian society and question how modern people would receive Christ.

Q: What is this painting about?

James Ensor imagined Christ's second coming in modern Brussels as a chaotic carnival parade with masked figures and political banners. Painted in 1889, it was so radical that even his avant-garde circle refused to exhibit it.

Finished in 1889 by James Ensor, provocative vision of Christ entering modern Brussels amid a carnival of masked figures. The composition satirizes contemporary society through grotesque masks and chaotic crowds.

Ensor's work imagines Christ's reception in modern Belgium, surrounded by political banners and carnival grotesques. The work shocked contemporary viewers. It's at the Royal Museums of Fine Arts of Belgium.

Ensor used carnival masks to satirize Belgian society and question how modern people would receive Christ.

James Ensor imagined Christ's second coming in modern Brussels as a chaotic carnival parade with masked figures and political banners. Painted in 1889, it was so radical that even his avant-garde circle refused to exhibit it.

Christ's Entry into Brussels in 1889

Details

Where to See It

The Artist

More by James Ensor

The Oyster Eater

Also at Royal Museums of Fine Arts of Belgium

Virgin and Child With St. Anne and a Franciscan donor

Mass of Saint Gregory

Crucifixion with a Donor

Rome, Castle Sant Angelo

Related Expressionism Works

Anxiety

The Scream

Portrait of Adele Bloch-Bauer I

Death and Life

Portrait of Adele Bloch-Bauer II

The Kiss

The Tree of Life

Madonna

About Christ's Entry into Brussels in 1889

Own Art Like This