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John William Godward completed this Ianthe in 1889, during a period when his work shifted decisively toward Neo-Classicism. The oil on canvas measures 64 x 29.5 cm and depicts a young woman with a garland of violet flowers upon her head. The name Ianthe comes from Greek mythology and means "violet flower," which explains the floral crown.
The subject references a Cretan girl mentioned in Ovid's Metamorphoses. Godward's treatment of the figure shows his trademark attention to marble textures and classical drapery. He reportedly perfected his technique for rendering veins and stains on stone while working with architect William Hoff Wontner. The vertical composition draws the eye upward through the figure's pose and the architectural elements behind her.
Godward (1861-1922) was a protégé of Sir Lawrence Alma-Tadema and spent his career painting beautiful women in ancient Greek and Roman settings. His style fell out of favor with the rise of modernism. The painting remains in a private collection in Edinburgh.
Works that share an artist, movement, museum, genre, palette or theme with Ianthe.

John William Godward

John William Godward, 1892

John William Godward

Lawrence Alma-Tadema

Lawrence Alma-Tadema, 1888

Frederic Leighton

Albert Joseph Moore

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Lawrence Alma-Tadema

William-Adolphe Bouguereau

William-Adolphe Bouguereau

Albert Joseph Moore
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