
Public Domain
John William Godward completed this Ianthe in 1889, during a period when his work shifted decisively toward Neo-Classicism. The oil on canvas measures 64 x 29.5 cm and depicts a young woman with a garland of violet flowers upon her head. The name Ianthe comes from Greek mythology and means "violet flower," which explains the floral crown.
The subject references a Cretan girl mentioned in Ovid's Metamorphoses. Godward's treatment of the figure shows his trademark attention to marble textures and classical drapery. He reportedly perfected his technique for rendering veins and stains on stone while working with architect William Hoff Wontner. The vertical composition draws the eye upward through the figure's pose and the architectural elements behind her.
Godward (1861-1922) was a protégé of Sir Lawrence Alma-Tadema and spent his career painting beautiful women in ancient Greek and Roman settings. His style fell out of favor with the rise of modernism. The painting remains in a private collection in Edinburgh.
Other masterpieces from the Academic Art movement

Rosa Bonheur, 1853
The Metropolitan Museum of Art, New York

Alexandre Cabanel, 1863
Musée d'Orsay, Paris

Lawrence Alma-Tadema, 1909
Tate Britain, London

Lawrence Alma-Tadema, 1888
Private Collection, Unknown

William-Adolphe Bouguereau, 1873
Clark Art Institute, Williamstown

William-Adolphe Bouguereau, 1879
Musée d'Orsay, Paris

Frederic Leighton, 1895
Tate Britain, London

Jean-Léon Gérôme, 1866
Clark Art Institute, Williamstown
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