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Sandro Botticelli executed this small but significant portrait around 1483, depicting a boy dressed simply in brown with dark blond curls escaping from beneath his red cap. The tempera on panel measures 51 by 36 centimeters and represents a radical departure from conventional portrait formats of the time.
Most fifteenth-century portraits showed subjects in profile. Images of the whole face were reserved for devotional "portraits" of Christ used in private prayer. Botticelli broke this convention by depicting the young man head-on, his shoulders parallel to the picture's edges. His features are individual yet resemble Botticelli's idealized male type, particularly Mars in his painting Venus and Mars.
Renaissance philosophy held that outer beauty reflected inner virtue. The philosopher Marsilio Ficino wrote in 1469 that internal perfection produces the external. This portrait at the National Gallery in London shows Botticelli creating an eternal memorial to a youth who is both good and beautiful, though his identity remains unknown.

Leonardo da Vinci
Uffizi Gallery, Florence, Florence

Sandro Botticelli, 1482
Uffizi Gallery, Florence, Florence

Sandro Botticelli
Uffizi Gallery, Florence, Florence

Fra Angelico
Uffizi Gallery, Florence, Florence
Other masterpieces from the Renaissance movement

Raphael, 1512
Gemäldegalerie Alte Meister, Dresden, Dresden

Leonardo da Vinci, 1500
Private Collection, Unknown

Raphael, 1511
Vatican Museums, Vatican City

Raphael, 1510
National Gallery of Art, Washington, D.C.

Titian, 1538
Uffizi Gallery, Florence, Florence

Titian, 1555
National Gallery of Art, Washington, D.C.

El Greco, 1614
National Gallery of Art, Washington, D.C.

Leonardo da Vinci, 1503
Louvre, Paris, Paris
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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