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British artist Thomas Gainsborough painted this portrait around 1750, when he was about twenty-three years old. Robert Andrews and his wife Frances sit at the edge of their Suffolk estate, their land stretching behind them toward the churches where they worshipped and married. By 1750, Robert owned nearly 3,000 acres.
The painting has been called a "triple portrait" of the couple and their land. Gainsborough positioned them unusually on the far left, giving the landscape equal prominence. An unpainted patch on Mrs. Andrews's lap remains mysterious. Some speculate it was reserved for a pheasant her husband shot, others for a baby. The couple eventually had nine children.
The work stayed in the Andrews family until 1960 and was little known before appearing in an Ipswich exhibition in 1927. Today it's one of Gainsborough's most famous works, hanging at the National Gallery in London. The ornate carved and gilded frame features curling scrolls of leaves and shells.

Thomas Gainsborough
Dulwich Picture Gallery, London

Thomas Gainsborough
Private Collection, Unknown

Thomas Gainsborough
Yale Centre For British Art (Yale University), New Haven, CT, New Haven

Thomas Gainsborough
Private Collection, Unknown

Francesco Guardi
National Gallery, London

Claude Monet
National Gallery, London

Rembrandt van Rijn
National Gallery, London

Raphael
National Gallery, London
Works that share an artist, movement, museum, genre, palette or theme with Mr. and Mrs. Andrews.

Thomas Gainsborough

Thomas Gainsborough

Thomas Gainsborough

Joshua Reynolds, 1776

Élisabeth Vigée Le Brun, 1782

Jean-Honoré Fragonard, 1767

Jean-Antoine Watteau

Joshua Reynolds

Jean-Honoré Fragonard

Jean-Honoré Fragonard, 1770

Jean-Antoine Watteau, 1719

François Boucher
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