
Public Domain
New Haven, United States
Permanently housed
Thomas Gainsborough painted the family portrait between 1752 and 1754 after moving to Ipswich from his native Sudbury. John Gravenor was a successful apothecary who turned to local politics in 1754, likely commissioning this portrait to celebrate his new public role.
The nearly square format suggests the picture was intended as an over-mantel decoration. Crossed tree trunks behind the figures allude to matrimony. Gainsborough arranged the family harmoniously beside a wheat field, as if paused on a walk. The girls, Elizabeth and Ann, hold freshly picked flowers while their parents flank them.
The darkening sky contrasts dramatically with the women's fashionable dresses. Fluid brushstrokes capture light dancing across brightly colored silks. The painting hangs at the Yale Center for British Art in New Haven, Connecticut.

John Martin
Yale Centre For British Art (Yale University), New Haven, CT, New Haven

John Martin
Yale Centre For British Art (Yale University), New Haven, CT, New Haven

George Stubbs
Yale Centre For British Art (Yale University), New Haven, CT, New Haven

John Constable
Yale Centre For British Art (Yale University), New Haven, CT, New Haven
Other masterpieces from the Rococo movement

Jean-Honoré Fragonard, 1767
Wallace Collection, London

Jean-Antoine Watteau, 1717
Louvre, Paris, Paris

Joshua Reynolds, 1776
National Gallery, London

Jean-Honoré Fragonard, 1770
National Gallery of Art, Washington, D.C.

François Boucher, 1752
Alte Pinakothek, Munich

Jean-Antoine Watteau, 1719
Louvre, Paris, Paris

François Boucher, 1742
Louvre, Paris, Paris

Élisabeth Vigée Le Brun, 1782
National Gallery, London
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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