
Public Domain
New Haven, United States
Permanently housed
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Thomas Gainsborough painted the family portrait between 1752 and 1754 after moving to Ipswich from his native Sudbury. John Gravenor was a successful apothecary who turned to local politics in 1754, likely commissioning this portrait to celebrate his new public role.
The nearly square format suggests the picture was intended as an over-mantel decoration. Crossed tree trunks behind the figures allude to matrimony. Gainsborough arranged the family harmoniously beside a wheat field, as if paused on a walk. The girls, Elizabeth and Ann, hold freshly picked flowers while their parents flank them.
The darkening sky contrasts dramatically with the women's fashionable dresses. Fluid brushstrokes capture light dancing across brightly colored silks. The painting hangs at the Yale Center for British Art in New Haven, Connecticut.

John Martin
Yale Centre For British Art (Yale University), New Haven, CT, New Haven

John Martin
Yale Centre For British Art (Yale University), New Haven, CT, New Haven

George Stubbs
Yale Centre For British Art (Yale University), New Haven, CT, New Haven

John Constable
Yale Centre For British Art (Yale University), New Haven, CT, New Haven
Works that share an artist, movement, museum, genre, palette or theme with Mr. and Mrs. John Gravenor and their Daughters, Elizabeth and Ann.

Thomas Gainsborough

Thomas Gainsborough

Thomas Gainsborough

Joshua Reynolds

Jean-Honoré Fragonard, 1767

Jean-Honoré Fragonard

Jean-Honoré Fragonard, 1770

Jean-Antoine Watteau

Joshua Reynolds, 1776

Jean-Antoine Watteau

Jean-Antoine Watteau

François Boucher
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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