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Berthe Morisot made this copy after Veronese's Calvary as part of her training. The study after an Old Master shows her technical skill and traditional education. Morisot would later develop her own Impressionist style.
Copying in museums was standard practice for aspiring artists. This early work reveals her formative influences. It remains in a private collection.
Other masterpieces from the Impressionism movement
Claude Monet, 1899
The Metropolitan Museum of Art, New York

Claude Monet, 1875
National Gallery of Art, Washington, D.C.

Pierre-Auguste Renoir, 1881
Art Institute of Chicago, Chicago

Claude Monet, 1926
Musée de l'Orangerie, Paris

James McNeill Whistler, 1871
Musée d'Orsay, Paris

Pierre-Auguste Renoir, 1881
National Gallery of Art, Washington, D.C.

Pierre-Auguste Renoir, 1881
The Phillips Collection, Washington, D.C.

Claude Monet, 1872
Musée d'Orsay, Paris
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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