Where Is Fine Wind, Clear Morning (Red Fuji)?

Q: Why is it called Red Fuji?

On certain autumn mornings, atmospheric conditions cause Mount Fuji to glow red-brown in early sunlight. Hokusai captured this brief, spectacular phenomenon.

Q: How does it relate to The Great Wave?

Both are from Hokusai's "Thirty-six Views of Mount Fuji" series. They represent opposite approaches: the wave is dynamic and complex, Red Fuji is serene and minimal.

Q: How big is Red Fuji?

The print measures approximately 25.4 × 38.1 cm (10 × 15 in). This standard size (ōban) was the most common format for ukiyo-e landscape prints.

Q: What makes early impressions valuable?

Early prints from the edition show deeper, more saturated colors before the woodblocks began wearing down. Later impressions appear lighter and less detailed.

Red Fuji (Fine Wind, Clear Morning) shows Mount Fuji glowing red-brown in early morning light, its slopes catching the sun while the sky transitions from blue to white. Created around 1831 by Katsushika Hokusai, this print rivals The Great Wave as the most celebrated image in the "Thirty-six Views of Mount Fuji" series.

The effect occurs briefly on certain autumn mornings when atmospheric conditions paint the mountain in unexpected colors. Hokusai stripped the composition to essentials: mountain, sky, and tiny trees at the base establishing scale. The simplicity is deceptive, requiring precise color gradation across the sky and careful registration of the blocks. Early impressions show deeper blue and richer red than later printings.

Impressions exist in museums worldwide, with quality varying based on when in the edition they were printed.

On certain autumn mornings, atmospheric conditions cause Mount Fuji to glow red-brown in early sunlight. Hokusai captured this brief, spectacular phenomenon.

Both are from Hokusai's "Thirty-six Views of Mount Fuji" series. They represent opposite approaches: the wave is dynamic and complex, Red Fuji is serene and minimal.

The print measures approximately 25.4 × 38.1 cm (10 × 15 in). This standard size (ōban) was the most common format for ukiyo-e landscape prints.

Early prints from the edition show deeper, more saturated colors before the woodblocks began wearing down. Later impressions appear lighter and less detailed.

Fine Wind, Clear Morning (Red Fuji)

Details

The Artist

More by Katsushika Hokusai

Women walking in a garden

The Great Wave off Kanagawa

Inside the Courtyard of the Toeizan Temple at Ueno

Woman in an Interior

About Fine Wind, Clear Morning (Red Fuji)

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