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by Johannes Vermeer, 1666
Johannes Vermeer painted this complex allegory around 1666-68, showing an artist in his studio working on a portrait of a young woman dressed as Clio, the muse of history. Light streams through a window at left, illuminating a map of the seventeen provinces of the Netherlands hanging on the back wall.
The composition is Vermeer's most ambitious, combining self-referential subject matter with layered symbolism. The map shows the Netherlands before its division into north and south, perhaps evoking nostalgia for unity. Clio holds a trumpet and book, traditional attributes connecting painting to fame and historical memory.
Vermeer never sold this work during his lifetime, suggesting its personal importance to him. After his death, his widow tried to transfer it to her mother to keep creditors from claiming it. The painting eventually reached the Kunsthistorisches Museum in Vienna, where it remains.
Vermeer kept this painting until his death, suggesting its personal significance to him.

Rogier van der Weyden
Kunsthistorisches Museum, Vienna

Lorenzo Lotto
Kunsthistorisches Museum, Vienna

Parmigianino
Kunsthistorisches Museum, Vienna

Hieronymus Bosch
Kunsthistorisches Museum, Vienna
Other masterpieces from the Baroque movement

Diego Velázquez, 1650
Galleria Doria Pamphilj, Rome

Rembrandt van Rijn, 1654
Louvre, Paris, Paris

Diego Velázquez, 1650
National Gallery, London

Diego Velázquez, 1656
Museo del Prado, Madrid, Madrid

El Greco, 1614
National Gallery of Art, Washington, D.C.

Diego Velázquez, 1635
Museo del Prado, Madrid, Madrid

Frans Hals, 1624
Wallace Collection, London

Rembrandt van Rijn, 1633
Isabella Stewart Gardner Museum, Boston
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