
by Thomas Cole, 1842
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In the final painting of Thomas Cole's Voyage of Life, the voyager has reached old age. His boat, battered by life's journey, drifts on calm, dark waters. The guardian angel returns, now clearly visible, pointing upward toward a heavenly light breaking through the clouds.
Cole shows the voyager looking up with peaceful acceptance. The hourglass that appeared on the boat's prow throughout the series now has its sand run out. Angels descend from a golden sky, welcoming the soul to eternal life.
The four paintings at the National Gallery of Art form one of the most important American paintings series of the 19th century.

Thomas Cole
Private Collection, Unknown

Thomas Cole
New Britain Museum of American Art, New Britain, CT, New Britain

Thomas Cole
Wadsworth Atheneum, Hartford

Thomas Cole
Wadsworth Atheneum, Hartford
![Gian Federico Madruzzo Oil Canvas Giovanni Battista[1] by Giovanni Battista Moroni](https://masterpiece-locator.vercel.app/apps/masterpieces/_next/image?url=https%3A%2F%2Fyfndmpigludzuzjjdfce.supabase.co%2Fstorage%2Fv1%2Fobject%2Fpublic%2Fartwork-images%2Fartwork-wiki%2Fgiovanni-battista-moroni-gian-federico-madruzzo-oil-canvas-giovanni-battist.jpg&w=1920&q=75)
Giovanni Battista Moroni
National Gallery of Art, Washington, D.C.

Edgar Degas
National Gallery of Art, Washington, D.C.

Bronzino
National Gallery of Art, Washington, D.C.

Berthe Morisot
National Gallery of Art, Washington, D.C.
Works that share an artist, movement, museum, genre, palette or theme with The Voyage of Life: Old Age.

Thomas Cole, 1836

Thomas Cole, 1836
Thomas Cole

Albert Bierstadt, 1868

Frederic Edwin Church, 1857

Emanuel Leutze, 1851

Frederic Edwin Church, 1859

George Caleb Bingham, 1845

Ilya Repin, 1873

Albert Bierstadt

Caspar David Friedrich

J.M.W. Turner, 1839
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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