<p>The Hudson River School formed in the 1820s around a group of American landscape painters who found their first subjects in the Hudson River Valley and the Catskill Mountains before pushing further west. Working in the wake of Romanticism, they treated the American wilderness as something close to sacred, worth painting on a grand scale as proof of the young country's natural grandeur.</p> <p><a href="/apps/masterpieces/artist/thomas-cole"><strong>Thomas Cole</strong></a> founded the movement, painting allegorical cycles like <a href="/apps/masterpieces/art/the-voyage-of-life-old-age"><strong>The Voyage of Life: Old Age</strong></a> alongside straightforward wilderness views. <a href="/apps/masterpieces/artist/frederic-edwin-church"><strong>Frederic Edwin Church</strong></a>, his most successful student, traveled to South America and painted <a href="/apps/masterpieces/art/heart-of-andes"><strong>Heart of the Andes</strong></a> on a canvas so large that viewers paid admission to see it displayed alone in a darkened room. Church's <a href="/apps/masterpieces/art/niagara-church"><strong>Niagara</strong></a> made him internationally famous for its scale and detail.</p> <p><a href="/apps/masterpieces/artist/albert-bierstadt"><strong>Albert Bierstadt</strong></a> carried the same theatrical grandeur west to the Rocky Mountains and Yosemite, as seen in <a href="/apps/masterpieces/art/among-sierra-nevada-bierstadt"><strong>Among the Sierra Nevada, California</strong></a>, while <a href="/apps/masterpieces/artist/george-caleb-bingham"><strong>George Caleb Bingham</strong></a> focused on frontier life along the Missouri River in works like <a href="/apps/masterpieces/art/fur-traders-missouri"><strong>Fur Traders Descending the Missouri</strong></a>. <a href="/apps/masterpieces/artist/john-frederick-kensett"><strong>John Frederick Kensett</strong></a> painted quieter coastal scenes that helped bridge the movement into the related style of Luminism. The Hudson River School's paintings helped build public support for landscape preservation, including the eventual creation of national parks.</p>

1801 – 1848 · 22 works

1830 – 1902 · 12 works

1826 – 1900 · 8 works

1811 – 1879 · 5 works

1816 – 1872 · 3 works

1837 – 1908 · 1 work

1823 – 1880 · 1 work

1833 – 1905 · 1 work

1823 – 1900 · 1 work

1820 – 1910 · 1 work

Thomas Cole
New Britain Museum of American Art, New Britain, CT, New Britain

Thomas Cole
Wadsworth Atheneum, Hartford

Frederic Edwin Church
Albany Institute of History and Art, Albany, NY, Albany

Alfred Thompson Bricher, 1873
Dallas Museum of Art, Dallas
Thomas Cole
Wadsworth Atheneum, Hartford

Thomas Cole
Wadsworth Atheneum, Hartford

Thomas Cole
Private Collection, Unknown

Thomas Cole
Private Collection, Unknown

Thomas Cole
Private Collection, Unknown

Thomas Cole
Private Collection, Unknown

Thomas Cole
Wadsworth Atheneum, Hartford

Thomas Cole
Allen Memorial Art Museum (AMAM), Oberlin, OH, Berlin
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