
Wikimedia Commons • Public Domain
Cambridge, UK
Permanently housed
Thomas Gainsborough executed this portrait of John Kirby around 1752-1753. The oil on canvas measures 76.2 by 63.7 centimeters and shows Gainsborough's early portrait style before he moved to Bath and became one of England's most sought-after painters. The work captures his friendship with the Kirby family.
The subject appears to be John Joshua Kirby, a topographical draughtsman who made the rules of perspective accessible to ordinary artists. Kirby distilled the complex mathematics from Brook Taylor's 1715 treatise into practical instructions that painters could actually use. His book earned him the position of teaching perspective to the future King George III, who later appointed him Clerk of the Works at Kew.
Gainsborough and Kirby remained close friends throughout their lives. When Gainsborough died in 1788, he expressed his wish to be buried near Joshua Kirby at St Anne's Church in Kew. The Fitzwilliam Museum at Cambridge University holds this portrait, a gift from Charles Fairfax Murray in 1908.

John Everett Millais
Fitzwilliam Museum (University of Cambridge), Cambridge, Cambridge

William Blake
Fitzwilliam Museum (University of Cambridge), Cambridge, Cambridge

Thomas Gainsborough
Fitzwilliam Museum (University of Cambridge), Cambridge, Cambridge

Filippo Lippi
Fitzwilliam Museum (University of Cambridge), Cambridge, Cambridge
Other masterpieces from the Rococo movement

Jean-Honoré Fragonard, 1767
Wallace Collection, London

Jean-Antoine Watteau, 1717
Louvre, Paris, Paris

Joshua Reynolds, 1776
National Gallery, London

Jean-Honoré Fragonard, 1770
National Gallery of Art, Washington, D.C.

François Boucher, 1752
Alte Pinakothek, Munich

Jean-Antoine Watteau, 1719
Louvre, Paris, Paris

François Boucher, 1742
Louvre, Paris, Paris

Élisabeth Vigée Le Brun, 1782
National Gallery, London
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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