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Thomas Gainsborough painted the portrait around 1750, shortly after returning to his native Suffolk from London. The sitter has traditionally been identified as a member of the Lloyd family of Ipswich, though this remains uncertain. She sits outdoors in an informal pose rare for Gainsborough's early female portraits.
The feathery brushwork and cool tonality of the background reflect French influence from Gainsborough's training with Hubert Gravelot. The carefully rendered burdock plant in the foreground came from Dutch landscapes he admired, as well as from direct sketching in nature. This combination of influences gives the portrait its distinctive Rococo charm.
The oil on canvas measures 69.6 x 53 cm and hangs at the Kimbell Art Museum in Fort Worth, acquired by Kay Kimbell in 1946. Preparatory drawings survive, showing Gainsborough working out the relationship between figure and setting. The painting has recently been reframed in a period British Rococo frame, enhancing its elegant intimacy.

Thomas Gainsborough
Dulwich Picture Gallery, London

Thomas Gainsborough
Private Collection, Unknown

Thomas Gainsborough
Yale Centre For British Art (Yale University), New Haven, CT, New Haven

Thomas Gainsborough
Private Collection, Unknown
Works that share an artist, movement, museum, genre, palette or theme with Portrait of a Woman (possibly of the Lloyd Family).

Thomas Gainsborough

Thomas Gainsborough

Thomas Gainsborough

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Maurice Quentin de La Tour

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