
by Pieter Claesz, 1630
Pieter Claesz arranged these objects as reminders of mortality in 1630. A skull sits beside an overturned glass, a snuffed oil lamp, a pocket watch with glossy ribbon, and an anemone flower clinging to the table's edge. Roman poet Ovid called the anemone a "windflower" for its brief grip on life.
Claesz was a master of the monochromatic palette, using mainly brown and green with just a dash of blue for the watch ribbon. This restraint made textures shine: the glittering timepiece, brittle pages, fractured skull. Every object follows established vanitas symbolism, pointing to time's passage. Now at the Mauritshuis in The Hague.
Other masterpieces from the Dutch Golden Age movement

Rembrandt van Rijn, 1633
Isabella Stewart Gardner Museum, Boston
Johannes Vermeer, 1666
National Gallery of Art, Washington, D.C.

Johannes Vermeer, 1665
Mauritshuis, The Hague

Rembrandt van Rijn, 1654
Louvre, Paris, Paris

Johannes Vermeer, 1663
Rijksmuseum, Amsterdam

Johannes Vermeer, 1670
Louvre, Paris, Paris

Johannes Vermeer, 1664
National Gallery of Art, Washington, D.C.

Rembrandt van Rijn, 1642
Rijksmuseum, Amsterdam
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