by Titian, 1555
Titian executed this Venus with an Organist and Cupid around 1555. Venus reclines nude while a musician turns from his organ to gaze at her. Cupid whispers in her ear or crowns her with flowers. Through the window, a formal garden with couples strolling extends toward distant mountains.
The painting's meaning remains debated. Is this an allegory of music and love, with the organist representing hearing and Venus representing sight and touch? Or simply an erotic scene thinly veiled by mythological pretense? The musician's frankly appreciative gaze suggests the latter.
Titian painted several versions of this composition for various patrons. The Prado holds this version, one of the finest explorations of Venetian sensuality.
Other masterpieces from the Renaissance movement

Sandro Botticelli, 1476
Uffizi Gallery, Florence, Florence

Sandro Botticelli, 1485
Uffizi Gallery, Florence, Florence

Raphael, 1511
Vatican Museums, Vatican City

Sandro Botticelli, 1482
Uffizi Gallery, Florence, Florence

Raphael, 1510
National Gallery of Art, Washington, D.C.

Raphael, 1512
Gemäldegalerie Alte Meister, Dresden, Dresden

El Greco, 1614
National Gallery of Art, Washington, D.C.

Leonardo da Vinci, 1500
Private Collection, Unknown
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