
by Leonardo da Vinci, 1490
The Vitruvian Man is Leonardo da Vinci's study of ideal human proportions, showing a male figure in two superimposed positions within a circle and square. Created around 1490 with pen, ink, and metalpoint, the drawing illustrates principles described by the Roman architect Vitruvius, who believed the human body could define perfect geometric forms.
Leonardo's annotations (in his characteristic mirror writing) explore how the body's measurements relate mathematically. A man's arm span equals his height; his face is one-tenth of his height. The dual pose allows both positions to fit the geometry: arms horizontal fit the square, arms raised fit the circle. This fusion of art and science exemplifies Renaissance humanism's belief that man is the measure of all things.
The drawing is rarely displayed due to its fragility. It's held at the Gallerie dell'Accademia in Venice.

Sebastiano del Piombo
Gallerie dell'Accademia, Venice

Sebastiano del Piombo
Gallerie dell'Accademia, Venice

Vittore Carpaccio
Gallerie dell'Accademia, Venice

Vittore Carpaccio
Gallerie dell'Accademia, Venice
Other masterpieces from the Renaissance movement

Raphael, 1512
Gemäldegalerie Alte Meister, Dresden, Dresden

Sandro Botticelli, 1485
Uffizi Gallery, Florence, Florence

Raphael, 1511
Vatican Museums, Vatican City

Raphael, 1510
National Gallery of Art, Washington, D.C.

Titian, 1538
Uffizi Gallery, Florence, Florence

Titian, 1555
National Gallery of Art, Washington, D.C.

El Greco, 1614
National Gallery of Art, Washington, D.C.

Sandro Botticelli, 1482
Uffizi Gallery, Florence, Florence
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