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Emanuel Leutze composed this Westward the Course of Empire Takes Its Way as a study for his massive mural in the U.S. Capitol. The work celebrates American westward expansion, showing pioneers crossing a mountain pass with the golden promise of the frontier ahead.
Best known for Washington Crossing the Delaware, Leutze specialized in American historical subjects. The mural's title comes from a poem by Bishop George Berkeley. Painted in 1861 as the Civil War began, it expressed national optimism during dark times. This study hangs at the Smithsonian American Art Museum in Washington.

Emanuel Leutze
Smithsonian American Art Museum, Washington D.C.

Emanuel Leutze
Los Angeles County Museum of Art, Los Angeles

Emanuel Leutze
National Portrait Gallery, Washington, DC, Washington, D.C.
Emanuel Leutze
Brooklyn Museum, New York

John James Audubon
Smithsonian American Art Museum, Washington D.C.

George Inness
Smithsonian American Art Museum, Washington D.C.

Emanuel Leutze
Smithsonian American Art Museum, Washington D.C.

John James Audubon
Smithsonian American Art Museum, Washington D.C.
Works that share an artist, movement, museum, genre, palette or theme with Westward the Course of Empire Takes Its Way (mural study for U.S. Capitol).

Emanuel Leutze, 1851

Albert Bierstadt, 1868

William Blake, 1794

J.M.W. Turner, 1844

John Constable, 1821

Ivan Aivazovsky, 1850

William Blake, 1805

Caspar David Friedrich

Francisco Goya, 1814

Eugène Delacroix

Théodore Géricault

William Blake
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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