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Jean-François Millet painted the portrait of his first wife Pauline Ono between 1843 and 1844. The work shows Pauline wearing refined oriental-style clothing that provides a moving frame for her tired body. She was already showing signs of the illness that would take her life at just 22 years old.
Pauline-Virginie Ono was a tailor's daughter from Cherbourg. Millet met her in his hometown, where he received his first artistic training. They married in 1841, and he brought his frail wife to Paris to establish his career. The couple struggled financially, with Millet selling portraits to support them while Pauline's health declined.
The portrait reflects Spanish influences that Millet absorbed from studying works in the Galerie Espagnole at the Louvre. The somber palette and direct gaze recall portraits by Velázquez and other Golden Age masters. This approach distinguished his early work from the peasant scenes that would later make him famous.
Pauline died in 1844, leaving Millet devastated. He remarried two years later to Catherine Lemaire, with whom he would have nine children. The Musée Thomas-Henry in Cherbourg holds this tender portrait, connecting visitors to the artist's roots in the region where he was born and first fell in love.

Jacques-Louis David
Musée Thomas-Henry, Cherbourg, Cherbourg

Jean-François Millet
Musée Thomas-Henry, Cherbourg, Cherbourg

Jean-François Millet
Musée Thomas-Henry, Cherbourg, Cherbourg

Jean-François Millet
Musée Thomas-Henry, Cherbourg, Cherbourg
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