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This painting by Hieronymus Bosch Ecce Homo scene between 1475 and 1485, depicting the moment Pontius Pilate presents the scourged Christ to the hostile crowd. The oil-on-oak panel measures 71.4 by 61 centimeters and contains Gothic inscriptions functioning like speech balloons in a comic strip. Pilate's cry of "Ecce Homo" (Behold the Man) is answered by the mob's demand: "Crucifige Eum" (Crucify Him).
Typical of Bosch, the scene is filled with symbolic imagery. An owl perches above Pilate, and a giant toad rests on a soldier's shield. Both animals were considered emblems of evil in Christian iconography. The upper right shows a Gothic cityscape representing Jerusalem, rendered in the style of a Late Gothic Netherlandish town.
The painting underwent significant conservation work. Christ had been painted over with a floor-length garment, and X-ray examination in 1983 revealed a donor family once occupied the foreground before being covered up. The Städel Museum in Frankfurt purchased the work at a 1917 auction and restored it to reveal Bosch's original vision, including Christ's simple loincloth.
Works that share an artist, movement, museum, genre, palette or theme with Here is a Man (Ecce Homo).

Hieronymus Bosch

Hieronymus Bosch

Hieronymus Bosch

Albrecht Dürer

Lucas Cranach the Elder, 1526

Jan van Eyck, 1432

Jan van Eyck

Jan van Eyck

Albrecht Dürer, 1507

Albrecht Dürer, 1500

Lucas Cranach the Elder

Hugo van der Goes
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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