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Hugo van der Goes painted the Portinari Triptych around 1475 in Bruges for Tommaso Portinari, director of the Medici bank's branch in the city. The massive altarpiece, measuring 253 x 304 cm overall, depicts the Adoration of the Shepherds in the central panel with donor portraits on the wings. Portinari appears with his two sons on the left; his wife Maria Baroncelli and their daughter Margarita appear on the right, each accompanied by patron saints.
The exterior panels show the Annunciation in grisaille, painted to imitate sculpture. Van der Goes developed an original style characterized by intense naturalism and chiseled drawing. The altarpiece contains some of the most complicated and hidden symbolism in any 15th-century Nativity scene. Botanical details are rendered with scientific precision, while the emotional expressions of the shepherds show unprecedented psychological depth.
Transported by sea to Florence in 1483, the triptych deeply influenced Italian artists including Domenico Ghirlandaio. It hangs at the Uffizi Gallery, van der Goes's greatest surviving work.

Hugo van der Goes
Uffizi Gallery, Florence, Florence

Hugo van der Goes
Groeningemuseum, Bruges

Hugo van der Goes
Royal Museums of Fine Arts of Belgium, Brussels

Leonardo da Vinci
Uffizi Gallery, Florence, Florence

Sandro Botticelli, 1482
Uffizi Gallery, Florence, Florence

Sandro Botticelli
Uffizi Gallery, Florence, Florence

Fra Angelico
Uffizi Gallery, Florence, Florence
Other masterpieces from the Northern Renaissance movement

Albrecht Dürer, 1500
National Gallery, London

Jan van Eyck, 1436
National Gallery of Art, Washington, D.C.

Jan van Eyck, 1434
National Gallery, London

Lucas Cranach the Elder, 1526
Museo del Prado, Madrid, Madrid

Jan van Eyck, 1432
Saint Bavo's Cathedral, Ghent

Albrecht Dürer
Uffizi Gallery, Florence, Florence

Albrecht Dürer
Staatliche Kunsthalle Karlsruhe, Karlsruhe, Karlsruhe

Albrecht Dürer
Uffizi Gallery, Florence, Florence
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