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French artist Théodore Géricault created this preparatory study for a larger composition depicting the famous riderless horse race in Rome. Powerful horses strain at the start, held by grooms before release down the Corso. Géricault was obsessed with horses and their muscular energy.
This study shows Géricault's Romantic interest in raw animal power and dramatic movement. The Roman horse races fascinated many artists visiting Italy. Displayed at the Palais des Beaux-Arts in Lille, France.

Théodore Géricault
Musée Bonnat-Helleu, Bayonne

Théodore Géricault
Musée des Beaux-Arts de Rouen, Rouen, Rouen

Théodore Géricault
Louvre, Paris, Paris

Théodore Géricault
Musée des Beaux-Arts de Rouen, Rouen, Rouen

Jules Bastien-Lepage
Palais des Beaux-Arts de Lille, Lille, Lille

Jules Breton
Palais des Beaux-Arts de Lille, Lille, Lille

Gustave Courbet
Palais des Beaux-Arts de Lille, Lille, Lille

Carolus-Duran
Palais des Beaux-Arts de Lille, Lille, Lille
Works that share an artist, movement, museum, genre, palette or theme with Study for the Race of the Barbarian Horses.

Théodore Géricault

Théodore Géricault

Théodore Géricault

Francisco Goya, 1823

Eugène Delacroix

Eugène Delacroix, 1827

Eugène Delacroix

Jean-François Millet, 1857

Jean-François Millet

William Blake

John Constable, 1821

J.M.W. Turner, 1844
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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