by Francisco Goya, 1800
Francisco Goya painted The Naked Maja around 1797-1800, creating one of the first Western paintings to show pubic hair on a female nude. The young woman reclines on cushions, looking directly at the viewer with neither shame nor coyness. Her identity remains debated: possibly the Duchess of Alba, or a professional model.
The painting scandalized the Spanish Inquisition. Goya was called to explain himself in 1815, though the charges were eventually dropped. The frank, unapologetic nudity broke from the tradition of mythological pretexts that justified nude paintings. This wasn't Venus or a nymph. This was simply a naked woman.
The Prado displays this painting alongside its clothed counterpart. Together they raise questions about revelation and concealment, desire and propriety.
Other masterpieces from the Romanticism movement

John Constable, 1821
National Gallery, London

Théodore Géricault, 1819
Louvre, Paris, Paris

Eugène Delacroix, 1834
Louvre, Paris, Paris

J.M.W. Turner, 1839
National Gallery, London

Jean-François Millet, 1859
Musée d'Orsay, Paris

Jean-François Millet, 1857
Musée d'Orsay, Paris

Eugène Delacroix, 1827
Louvre, Paris, Paris

Thomas Cole, 1842
National Gallery of Art, Washington, D.C.
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