
Public Domain
Cambridge, UK
Permanently housed
French artist Eugène Delacroix painted this Odalisque around 1825, an oil on canvas depicting a reclining nude in an exotic setting. A narghile (water pipe) stands beside the divan, and a Turkish sword scabbard lies across the lower canvas. The woman is an odalisque, a chambermaid or concubine in a sultan's household.
Though Delacroix painted several Orientalist scenes in the 1820s, he didn't actually visit the East until 1832, when he joined a diplomatic mission to Morocco. Before that journey, his harem scenes came from imagination and his Parisian model. The "exciting, erotically charged world of harems and hashish" existed only in his mind.
Odalisques became common fantasy figures in 19th-century French painting after Napoleon's invasion of Egypt sparked public fascination with foreign cultures. Delacroix's women lie amid luxurious fabrics and exotic objects, embodying European fantasies about the mysterious East. This early work hangs at the Fitzwilliam Museum at Cambridge University.

John Everett Millais
Fitzwilliam Museum (University of Cambridge), Cambridge, Cambridge

William Blake
Fitzwilliam Museum (University of Cambridge), Cambridge, Cambridge

Thomas Gainsborough
Fitzwilliam Museum (University of Cambridge), Cambridge, Cambridge

Filippo Lippi
Fitzwilliam Museum (University of Cambridge), Cambridge, Cambridge
Other masterpieces from the Romanticism movement

Francisco Goya, 1823
Museo del Prado, Madrid, Madrid

John Constable, 1821
National Gallery, London

Francisco Goya, 1814
Museo del Prado, Madrid, Madrid

Francisco Goya, 1800
Museo del Prado, Madrid, Madrid

Francisco Goya, 1823
Museo del Prado, Madrid, Madrid

J.M.W. Turner, 1839
National Gallery, London

Francisco Goya, 1800
Museo del Prado, Madrid, Madrid

Jean-François Millet, 1859
Musée d'Orsay, Paris
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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