
Public Domain
Cambridge, UK
Permanently housed
1-click academic citation and embeddable “On View” museum badge for articles, syllabi, and research.
French artist Eugène Delacroix painted this Odalisque around 1825, an oil on canvas depicting a reclining nude in an exotic setting. A narghile (water pipe) stands beside the divan, and a Turkish sword scabbard lies across the lower canvas. The woman is an odalisque, a chambermaid or concubine in a sultan's household.
Though Delacroix painted several Orientalist scenes in the 1820s, he didn't actually visit the East until 1832, when he joined a diplomatic mission to Morocco. Before that journey, his harem scenes came from imagination and his Parisian model. The "exciting, erotically charged world of harems and hashish" existed only in his mind.
Odalisques became common fantasy figures in 19th-century French painting after Napoleon's invasion of Egypt sparked public fascination with foreign cultures. Delacroix's women lie amid luxurious fabrics and exotic objects, embodying European fantasies about the mysterious East. This early work hangs at the Fitzwilliam Museum at Cambridge University.

John Everett Millais
Fitzwilliam Museum (University of Cambridge), Cambridge, Cambridge

William Blake
Fitzwilliam Museum (University of Cambridge), Cambridge, Cambridge

Thomas Gainsborough
Fitzwilliam Museum (University of Cambridge), Cambridge, Cambridge

Filippo Lippi
Fitzwilliam Museum (University of Cambridge), Cambridge, Cambridge
Works that share an artist, movement, museum, genre, palette or theme with Odalisque.

Eugène Delacroix

Eugène Delacroix

Eugène Delacroix, 1834

Francisco Goya, 1800

Francisco Goya, 1800

Paul Cézanne

Jean-François Millet, 1857

Francisco Goya, 1800

John Constable, 1821

Théodore Géricault, 1819

Jean-François Millet

Jean-François Millet, 1859
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
Browse Collection