
by Georges de La Tour, 1635
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Georges de La Tour painted The Cheat with the Ace of Clubs around 1635. Four figures sit at a card table in an intimate interior. At left, a young man in a feathered hat studies his hand, unaware he is being fleeced. The cheat at center reaches behind his back to draw an ace from his belt.
A courtesan in a low-cut dress exchanges glances with the cheat, signaling the victim's cards. A maid pours wine to distract the dupe. Everyone in the work in on the game except the one about to lose. The elaborate costumes and sideways looks tell the story without words.
Kimbell Art Museum in Fort Worth holds this work. La Tour remained largely forgotten until the 20th century. The painting rewards attention to its psychological drama and moral warning about the costs of naivety.
Works that share an artist, movement, museum, genre, palette or theme with The Cheat with the Ace of Clubs.

Claude Lorrain

Eustache Le Sueur

Anthony van Dyck, 1635

Diego Velázquez, 1656

Caravaggio, 1599

Diego Velázquez, 1650

Diego Velázquez, 1635

Frans Hals, 1624

Guido Reni, 1614

Peter Paul Rubens, 1614

Artemisia Gentileschi, 1620

Artemisia Gentileschi, 1639
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